With a makeshift marching band of ship crew, dining room staff and below-decks hands lined up to play exuberant if tinny pop tunes as passengers disembarked, the Victoria Anna, Victoria Cruises' newest and grandest vessel, made a triumphal return to Chongqing in early May. The city, it turns out, is the home port of the busy Dongfeng Shipyard, where the final touches of the vessel's yearlong construction had been applied only months earlier.

The jog home marked the ship's first four-night, upstream voyage on the Yangtze River from Yichang, a city of no particular distinction other than it is a regular departure point/terminus for Yangtze cruises. It's also a few hours' sail to the construction site of the Three Gorges Dam, China's muscular bid to stand alone among the 21st century's inchoate Wonders of the World.

Although the spanking-new Victoria Anna is at best a minor achievement compared with the dam, she's an achievement, nonetheless, for she represents the best that luxury river cruising offers in the Orient.

At 348 feet long and almost 55 feet wide, with a draft of 8.5 feet and a displacement of 6,200 tons, the Victoria Anna -- propelled by two Chinese-made, 1177-kilowatt diesel engines -- is one of Victoria Cruises' six new or rebuilt Premier-series vessels.

Today's fleet is a "Great Leap Forward," as it were, from the line's inception in 1994, when the leased Victoria I carried only 3,000 passengers in its inaugural season.

By comparison, last year Victoria Cruises, with seven ships in the water -- its smaller Victoria Rose is in a lesser category than her upscale Premier sisters -- hosted 47,000 passengers, many of them clients of tour operators such as Ritz Tours, Pacific Delight, Travcoa and Uniworld, which with Victoria Cruises co-sponsored my voyage.

According to Lawrence Greenman, Victoria Cruises' manager of public relations and customer service, 70% of passengers are from the U.S., with the rest from the U.K., Germany and Scandinavia, as well as a scattering from Australia and Asia. Most are also well-off, seasoned travelers.

Accommodations on the five-deck, 308-passenger Victoria Anna encompasses 154 cabins, including 132 standard cabins, of about 226 square feet; 16 junior suites, of almost 320 square feet; four deluxe suites, of 373 square feet; and two Shangri La suites ,of about 633 square feet.

Suites boast private balconies, bathrooms with shower and tub, flat-panel TVs with satellite programming that includes HBO and the BBC, and hotel-style room placements, with beds set at a 90-degree angle to the cabin door rather than aligned shotgun-style along the cabin walls.

Top-of-the-line Shangri La suites, which are located at the bow of the ship, feature expansive private balconies, a kingsize bed, a separate seating area with chair and sofa, and double sinks in the bathrooms.

Roomy enough for two

The standard units struck me as roomy enough for two; however, fellow passenger Gary Tratt, a physician from Hyannis, Mass., said he found the basic cabin "too tight" for him and his wife and chose to upgrade to a junior suite. That was just one person's take, of course, but worth noting nonetheless.

The interior space of the Victoria Anna, which has an imposing silhouette one deck higher than her sister ships, is serviced by two elevators -- she is the only Victoria Cruises vessel with lifts -- as well as a sweeping staircase that skirts the three-deck atrium lobby.

On-ship facilities include two lounges, three bars, a lecture room, a library, an exercise salon, a massage room, what is optimistically described as an Internet center (one would be better off sending a postcard or reading a book), a health clinic, a beauty salon and two restaurants, the single-seating Dynasty Dining Room and the Top of the Yangtze, Victoria Cruises" experiment in a la carte dining, in a 50-seat venue at the crown of the ship.

Knives, forks and chopsticks

The cuisine in both restaurants is under the direction of Bill Sederman, who, when not cruising with Victoria, is chef de cuisine at the highly regarded City Tavern in Philadelphia. Onboard the Victoria Anna, Sederman presides over a kitchen staff of 26 that turns out a 50/50 mix of Western and Chinese dishes.

Meals are served buffet-style for breakfast and lunch and banquet-style for dinner. A la carte dining, from a menu that includes Sederman's scaled-down version of Peking duck, is a perk for passengers who have booked deluxe or Shangri La suites; however, some tour operators offer the Top of the Yangtze as a dining upgrade when clients book standard cabins with a cruise/tour.

The culinary highlight of each voyage is the customary Captain's Farewell Banquet. The night of ours, Capt. Li, a man of steely naval bearing, looked as if he couldn't wait to get back to the bridge.

There, his 40 years navigating the Yangtze might have served him better than with our crowd of hungry passengers waiting to dig into lazy susans laden with appetizers such as sweet and sour spareribs, smoked fish, Chong-qing beef and potstickers. Main courses included teriyaki chicken; bird's nest shrimp; and cashew, stir-fried squid and, in a nod to Western palates, lemon pie.

In and about

Although river cruising can't compete with sun-and-fun voyages when it comes to rock-wall climbs, water slides and casinos, there is plenty to keep the Victoria Anna's passengers -- most approaching or already in their retirement years -- mentally and physically at the top of their game.

Onboard activities include early-morning classes in tai chi, exhibitions of Eastern medical techniques such as acupuncture and acupressure, kite-flying lessons on the observation deck and discourses on the history of China and the Yangtze.

Also available is a rudimentary language class, Chinese 101, which in addition to delving into the intricacies of the country's eight major dialects, arms prospective shoppers with valuable expressions such as "Mei you qian," meaning "I don't want it"; "tai gui," or "too expensive"; and "Pian yi dian," which asks whether there's a discount.

Out and around

Three off-ship excursions start with a two-hour visit to the Three Gorges Dam, which at its completion will be 7,665 feet in length, 607 feet high and 427 feet wide at the bottom. The site is located in an area called Sandouping, which is in the middle of the Xiling Gorge, one of three narrowing defiles of the Yangtze where passengers can all but reach out and touch jagged cliffs of limestone. The natural scenery resembles a Chinese watercolor brought to life.

Dam construction is a mixed picture; it is generally agreed that upwards of 1.5 million people will be displaced as the massive project throttles the Yangtze and backs the river up all the way to Chong-qing, raising water levels to heretofore unimagined heights.

In his book, River at the End of the World, world traveler Simon Winchester sees the ongoing inundation this way: "Some 8,000 recognized archaeological sites would disappear, and scores of temples and pagodas would vanish beneath the waters. The gorges themselves would cease to be places of rapids and whirlpools, becoming instead a mere section of a deep and placid lake ... ."

On the voyage's second day, Photo by Joe Rosenthe ship docks for two-and-a-half-hours at Fengdu, the ancient "ghost city" built 1,800 years ago on the north bank of the Yangtze, where legend has it that "the dead come to Fengdu and the devils go to hell."

Inside temples such as the Hall of the Jade Emperor and the Ridge of Helplessness, lifelike statues depict the horrors of an unforgiving afterlife.

From the pier, visitors can climb a winding cobblestone road to the top or, as I did, take a swaying but quite safe cable car to reach the 945-foot-high complex, at a roundtrip cost of about $3.70.

The third outing, an all-morning excursion in flat-bottomed wooden sampans, takes passengers by ferry to the Shennong Stream.

The Shennong is a shallow tributary of the Yangtze where teams of men called "trackers" alternately wield long wooden oars to paddle the small boats forward and then, in the shallows and against the current, run ashore and propel the sampans ahead by tugging on taut bamboo ropes cinched around their waists.

Before the turn of the century and the advent of steam-powered navigation, according to Winchester, teams of naked men (with short life spans, I might add) used to pull larger ships in swifter currents upstream.

Today, fortunately, the experience is merely a tourist attraction and a wonderful photo op.

For more information, contact Victoria Cruises at www.victoriacruises.com or Uniworld at www.uniworld.com.

To contact reporter Joe Rosen, send e-mail to [email protected].

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