Ibsen Year: Norway to commemorate father of modern drama

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Many Americans know Norwegian sensibilities only through the gentle, funny filter of commentator Garrison Keillors reflections on the fictional community of Lake Wobegon, Minn. But Norways quest for national identity takes the countrys alleged congenital melancholia to new heights with the theatrical prism through which author Henrik Ibsen viewed his native land.

Missing the 100th anniversary of his birth, Ibsens homeland has now grabbed the next best centennial, his death, and all things Ibsen will dominate cultural tourism across Norway this year.

The worlds most-performed playwright, after Shakespeare, appearing on 130 stages, on average, per week worldwide, Ibsen infused his plays with psychological tensions and realism that gave birth to modern drama. 

His plays and epic poems have also served as the foundation for an amazing array of artistic forms, showcased when Ibsen Year 2006 officially kicked off Jan. 14 in a televised international gala in Oslo. 

British ballet dancers performed a very erotic interpretation of Ghosts, and there was an extravagant sequence from Werner Egks Peer Gynt opera that would give Cirque du Soleil a run for its money.

Attendees included actresses from Scandinavia, the U.K., Germany, France and India who have gained renown playing Ibsens heroines on stage and in film over the years. Ten, including Liv Ullmann and Glenda Jackson, were given the Ibsen Centennial Award.

The actresses held court at subsequent galas; sometimes their opinions of Ibsens relevance today, including an argument with literary experts on how Ibsen would navigate Hollywood, became heated.

One such event at the National Library opened a traveling exhibition of sculptures of Ibsen heroines by Nina Sundbye. A favorite was one of lead character Nora performing her wild dance in the play A Dolls House.

Bergen takes on Ibsen

Ibsen-related events will be performed throughout Norway, often with tie-ins to other offerings, such as Oslos Munch Museum (Edvard Munch painted Ibsen in the citys Grand Cafe in 1898).

On May 23, the Norwegian Folk Museums Ibsen Museum branch (www.ibsenmuseet.no), set in the artists former home at 1 Arbinsgate in Oslo, will reopen after 16 months of renovations.

Notable Ibsen tributes are on offer in Bergen, particularly during the Bergen International Festival (www.fib.no). Set for May 25 to June 5, the festival is a cornucopia of performing arts.

Ibsens first big gig was as Bergens resident theater director and playwright. His stay there, however, from 1851 to 1857, was not one of his most stellar creative periods.

According to festival program director Erling Dahl, Ibsen offerings will include Peer Gynt and Little Eyolf. The latter, about a child neglected as both parents focus fully on pursuing their careers, touches Norways psyche deeply, Dahl said.

If writing today, Ibsen would also have to contend with the phenomenon of single parents, as over half of marriages in Norway end in divorce within 10 years, and many young Norwegian mothers decide to skip matrimony altogether.

And be forewarned: Travel in this striking, amiable and especially prosperous nation, particularly in regard to food and drink, isnt cheap. Oslo is now regarded as the most expensive city in the world. How would Ibsen deal with his bar bill today?

More information on Ibsen events can be found online at www.ibsenworldwide.info and www.ibsen.net. Other helpful sources include tourist board Innovation Norways Web site at www.visitnorway.com.

To contact the reporter who wrote this article, send e-mail to [email protected].

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